centipede pavilion components

Centipede Pavilion Prototype III

Leonotis Nepetifolia Pavilion

Growth of Plastic

The component, acting as jig, is inherently variable in assembly and static in dimension. Through the use of quantity, angle, and distance, the component generates an anarchic patterning. Construction of the bridge relied heavily on attempting to apply the forces of compression parallel to the joint. Perpendicular compression on the [t] to the [o] joint resulted in structural failure. Remnants of fallen heros remain in the bridge construction as removal was tedious and destructive to the rest of the bridge structure.

The first artifacts and prototypes edges were shear and flat. To generate more component connection possibilities I made the decision to extend the [t] beyond the width of the [o]. This is what led to the connection of the implied walking surface. The surface would be constructed out of a sort of grate material to allow for views to the structure below. The inspiration for the patterning was retrieved from a meteorite cross-section, showing the Widmanstätten patterning.

Biology and Habitation

Does the use of biological systems for design inspiration place greater emphasis on the form of a building rather than its programmatic use?

No, not form. It puts greater emphasis on structure. Things in Nature are “unselfconscious” forms: they are structures first, and since every structure must have a form, organisms have form. Another way to say it: form is merely an attribute of structure. Form cannot exist apart from rigid (or semi-rigid) materiality that holds the form.

Every structure large enough to inhabit creates potentials for and limitations on how humans can act in it. So as soon as a designer gets an idea for a structure, it implies programmatic possibilities. It is not possible to sever design of structure and design of a program of use. They are interactive, mutually dependent aspects of architecture. But just as designers can choose to ignore structure and focus on form-making, they can ignore the programmatic implications of structure and focus on structure-making. Designers can ignore them, but that does not make them disappear. The implications are there, so if examination of the structure of organisms gives rise to ideas for the structure of a building, and if the structure of a building is always connected to patterns of human activity that can unfold in that structure, then inspiration drawn from organisms is both structural and programmatic, if only a designer chooses to look.